To celebrate both the Music Day and the opening of the exhibition Connecting worlds, come and enjoy concerts in the museum's garden and short tours in the exhibition, open until 8pm. World music and art worlds enter in dialogue during this Music Day, dedicated to interbreeding and openness.
Free for all, all day long.

Programme : 

Refectory of the museum
•    11.30 am : young choir of the Opera of Lyon

In the garden
•    2.00 - 3.00 pm : Tata Bilombo
•    3.30 - 4.30 pm: Compagnie Samar
•    5.00 - 6.00 pm : Duo Merline
•    6.30 - 7.30 pm : Insen

 
Museum open from 10.30 am to 6 pm.
Connecting worlds open until 8pm. 
 

Plongez au cœur d’une aventure unique au musée avec cet escape game immersif !

Au cœur du musée, un secret enfoui depuis des siècles refait surface. Ce lieu, autrefois un couvent, abritait un grimoire légendaire, réputé pour piéger quiconque osait percer ses mystères dans… le monde des œuvres d’art. Votre mission : explorer le musée, résoudre des énigmes cachées dans les œuvres elles-mêmes, et lever la malédiction avant qu’il ne soit trop tard. Chaque tableau, chaque sculpture devient un portail vers une énigme captivante.

Equipés d’oreillettes, d’une carte du musée ainsi que d’un communicateur, vous êtes en mission ! Une heure pour résoudre toutes les énigmes et venir à bout du scénario.

À partir de 15 ans en autonomie. 
À partir de 12 ans, avec accompagnants.

Inspiré par des peintures italiennes et françaises du XVII^e siècle, Bruno Benne vous propose un parcours musical et dansé pour croiser les arts et découvrir la danse baroque.

Partie de bateau, a masterpiece by Gustave Caillebotte (1848-1894) and the history of Impressionism, has entered the national collections for the benefit of the Musée d'Orsay. Thanks to an exceptional loan, this national treasure is presented to the public during a French tour. The painting is first visible at the Museum of Fine Arts in Lyon from September 9, then will be visible at the Museum of Fine Arts in Marseille and finally at the Museum of Fine Arts in Nantes.

In 1879 Gustave Caillebotte participated in the fourth exhibition of the Impressionist group with an exceptional set of thirty-five paintings and pastels. This is the most important set of works by Caillebotte exhibited during the artist's lifetime. While urban subjects still figure, as in Vue de Toits [View of Rooftops] (Paris, Musée d'Orsay), most of the paintings represent scenes of water sports, boating and riverside leisure. Partie de bateau is without doubt one of the most emblematic paintings in the series.

By its iconography, its style and its history, Partie de bateau appears as one of the major works of the artist, and even of the impressionist painting of the 1870s. Caillebotte takes up a subject characteristic of naturalism, the emergence of a society of leisure and more particularly here the development of water sports, treated by Thomas Eakins in the United States or, in France, by Claude Monet, Édouard Manet or Pierre-Auguste Renoir. The theme was very attractive to Caillebotte, who himself practiced rowing. This familiarity with the subject led the artist to make the sporting activity and the character of the rower in full effort, seen in "close-up", the main subject of his painting, unlike his elders who made the motif one of several elements of the landscape (Monet, Renoir) or depicted the rowers before or after the action (Manet). Owned by the artist and later by his brother Martial and his heirs, Partie de bateau has remained in France, in the family collections, until today. This painting of exceptional quality is of major patrimonial interest.

The acquisition of Partie de bateau, classified as a national treasure in 2020 by the Ministry of Culture, fills a real gap and enriches the collection with a masterpiece, without equivalent in French public collections. Although it is generally accepted that the Musée d'Orsay's impressionist collection is one of the most important in the world, the French national collections only include thirteen works by Gustave Caillebotte, despite recent additions.  Until now, the Musée d'Orsay had no works by the artist from the period dedicated to the subject of water sports, so emblematic and constitutive of the Impressionist aesthetic. Partie de bateau now joins the Vue de Toits [View of Roofs], also exhibited by the painter at the 1879 Impressionist exhibition. The entry of this work into the national collections thus significantly changes the face of the museum's impressionist collection, which was rich but also largely dependent on the tastes of its major donors (Étienne Moreau-Nélaton, Isaac de Camondo, Antonin Personnaz, etc.), who were not collectors of the artist.

Discover the museum and its rich galleries during this exceptionnal weekend. Free entrance! 
Free audiotours and podcasts available online to discover the collections at your own pace.